SHAPE / WRECK

These collage works on paper explore erosion, memory, and structural instability through fragmented imagery and layered surfaces.

Drawing from maritime environments, portrait photography and weathered architecture, the pieces exist between landscape, artifact, and disappearance, carrying traces of time, tension, and decay.

A SEEN IN THE JUNE ‘26 ISSUE OF THE ESTHETIC APOSTLE.

What drew us in first was the atmosphere. These works feel quiet, weathered, and deeply intentional. The fragmented photographs, torn edges, muted fields of color, and layered surfaces create a visual language that feels both intimate and unstable. We were especially taken with the way faces, shorelines, houses, industrial forms, and maritime imagery appear and recede, as if each piece is holding onto memory while also allowing it to erode.


We also admired the formal consistency across the group. Even though each collage stands on its own, the series feels unified by its sense of abrasion, distance, and restraint. The works carry tension without becoming loud. They feel haunted in a calm way, which is not easy to do.
— The Esthetic Apostle

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